Working Towards a Museum |
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1.
House of the Disappeared (1984) |
In 1984, the Argentine Historical
and Social Memory Foundation called
for the creation of a "House
of the Disappeared" in which
all of the documentation related
to state terrorism would be collected.
“At first we conceived of
it as a place to store documents
and then later as a place from
where we could disseminate information
to the rest of society--to reveal
what had happened, to show how
it really was, and to display
items that proved it so. Because
one of the realities we were dealing
with was that people didn't believe
us...you would start to talk about
how your children had been taken
away they would answer, "You're
lying"...even our relatives
and people who knew us well, who
knew my children said, "Are
you sure? Aren't they in Europe?
Maybe they just left." And
I thought, "How can they
say that? How can they believe
that?" You wanted to die...
and so I thought that if there
were so many people like this,
one way or another, I had to show
them, to throw the truth back
in their faces so that they wouldn't
keep believing. And so we thought
that a place like this would serve
to reveal the truth and to prove
that everything we had been through
and everything that we were talking
about was real.”
(Ilda Micucci, Argentine Historical
and Social Memory Foundation)
This proposal was discussed among
various human rights organizations.
By that time, however, the search
for truth and justice had become
the main objective of many victims'
relatives and organizations. Argentine
society was still opening its
eyes to what had happened--the
CONADEP report had just come out--and
many sectors of society continued
to deny the crimes. In the context
of these two contradictory realities,
it proved too difficult to embark
on an initiative that intended
to reconstruct memory in such
a direct way.
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2.
Two Proposals for a Museum in Buenos
Aires |
Years later, Eduardo Jozami and
Raúl Fernández,
then members of the Concejo Deliberante
(what is today the Legislature)
of Buenos Aires, called on human
rights organizations to draft
a legislative proposal for the
creation of a museum. For many,
this is recognized as the first
step toward the creation of a
museum, as the previous attempt
had not gained much attention.
Every organization took part in
this project, and in 1990 Resolution
50.318 formally initiated the
process to create a Museum of
Memory, "dedicated to reconstruct,
protect and nurture collective
memory on the horrors of state
terrorism, which devastated Argentina."
As the resolution did not have
the power of a law, it would remain
a valuable antecedent that would
only be realized years later.
“When we (Relatives
of Persons Disappeared and Detained
for Political Reasons) were told
about the Museum we thought, 'A
museum? How can we build a museum?'
It seemed somewhat antiquated.
How could our problem be kept
in a museum? Well, we went anyway
and we saw a proposal for something
that we had never thought could
become a Museum...and we changed
our minds. Because for us a Museum
was something static, a place
with rooms with objects hanging
on the walls, like in the Argentine
History Museum, where there are
all kinds of things with a short
text explaining what it is and
that's it.”
(Mabel Penette de Gutiérrez,
Relatives of Persons Disappeared
and Detained for Political Reason)
In 1996 when the city of Buenos
Aires gained autonomy, various
human rights organizations approached
the legislature again, calling
for a law that effectively created
a Museum. This attempt did not
advance, however, because according
to the city constitution, the
creation of an institution such
a museum would fall under the
direction of the executive branch
and could only be presented to
the city council by the head of
state.
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3.
Creation of the "Never Again
Museum of Memory" |
Parallel to the above-mentioned
initiative and through the same
Resolution 50.318, legislation
was passed creating the "Nunca
Mas Museum of Memory". Though
its organizers were able to carry
out some preliminary activities,
the initiative remained a relatively
unknown and isolated entity. It
did not call on the participation
of human rights organizations
or other NGOs engaged in similar
work and thus its existence was
fleeting.
During the administration of Secretary
of Culture Teresa Anchorena, the
movement to create a museum gained
new strength. In March 2000 Resolution
131 established a "Working
Commission for the Creation of
a Museum of Memory." This
commission, formally named "The
Never Again Memory Institute,"
worked throughout 1999 and into
the first months of 2000 to develop
the thematic and organizational
structure of the future museum.
Once again it proved difficult
to reconcile the disparate views
and draft a legislative proposal
that would hold a consensus among
participants. Nonetheless, the
Institute succeeded in ratifying
Law
392/2000, which designated
the buildings of the Navy Mechanics
School (ESMA) as the site of the
future museum.
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4.
Law for the Creation of a "Space
for Memory" |
In 2000, representatives of human
rights organizations worked together
with city officials to elaborate
a proposal for the creation of
a museum. The proposal for a "Space
for Memory" was presented
to the legislature by the City
Governor, Aníbal Ibarra,
on August 13, 2001.
From the beginning, it was important
to preserve the autonomy of the
new institution to guarantee the
fulfilment of its mission and
the development of institutional
policies. The Museum's governing
structure will strongly represent
civil society through the participation
of human rights organizations
and public figures respected for
their commitment to the goals
of the Museum.
On December 5, 2002, the Buenos
Aires city legislature passed
Law 961, creating the Institute,
"Space for Memory."
This was an important step in
the long journey toward the creation
of a Museum.
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5.
A Clear Goal: The Recovery of the
Site of the Navy Mechanics School
(ESMA) |
For many years, human rights organizations
have called for the recovery of
historic sites related to the
history of the period of state
terrorism. Their goal is to transform
these sites into places that contribute
to the articulation of a collective
memory-one that values respect
for life.
The Navy Mechanics School (ESMA)
is a symbol of the crimes committed
by the state during the dictatorship.
Its name and image are recognized
in this country and throughout
the world. For this reason many
believe that ESMA should be the
site of the future Museum of Memory.
In 2000, human rights organizations
carried out a petition campaign
calling on then President Fernando
De la Rúa to designate
ESMA as the official site of the
future museum. During De la Rúa's
visit to the United States Holocaust
Museum in Washington, D.C., Sara
Bloomfield, Director of the Museum,
reiterated this mandate publicly.
During the same year, the Buenos
Aires city legislature ratified
Law 392, calling for a resolution
to the dispute between the city
and the national government to
ensure that, "the buildings
which made up the Navy Mechanics
School would be designated as
the site of the Museum of Memory."
The administration of President
Nestor Kirchner confirmed the
restitution of the site for December
31st of 2004. Towards this purpose,
on March 24th, 2004 an agreement
was signed between the Buenos
Aires city government and the
National government to work together
towards the construction of a
“Space for Memory and for
the Promotion and Defence of Human
Rights”, that will operate
at the ESMA.
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