Memoria Abierta was created
in 1999 by Argentine Human Rights
organizations in order to achieve
coordinated participation in
local and national initiatives
that work towards a collective
memory of Argentina’s
recent past.
The goal was to enrich the
process of the construction
of collective memory with a
strong commitment to the work
and contribution of various
professional fields, in continuity
with the work realized by the
organizations since their founding.
We tried to face urgent challenges
in a systematic way, privileging
public access to information
and promoting debate on the
recent past to enrich democratic
culture.
The first action of Memoria
Abierta was to bring together
disperse material, recuperate
deteriorated documentation,
organize it for public access,
create new sources by recording
oral testimonies from protagonists
and witnesses, and deepen the
investigation into the deployment
of the plan of illegal repression
in national territory through
the identification and study
of the numerous buildings and
sites in which marks of the
period can be found.
We carried out our first activities
with the organization of the
Colloquium “The Museum that we Envision”, which
led to a publication that records
the initial debate on the characteristics
and forms of the organization
of a future museum.
Towards the end of 1999, we
presented our ideas and objectives
at the First International Conference
of Museums of Conscience. At
this time, together with other
museums that approach similar
themes of societies’ pasts,
we founded the International Coalition of Sites of Conscience. In March of 2000,
we signed a cooperation agreement
that established the framework
for our activities. The first
donation, received in April
of 2001, permitted us to begin
the development of various projects
and to establish our office.
Throughout the years Memoria
Abierta has reached and exceeded
the originally formulated objectives.
In addition to initial projects
of organizing documents through
the Documentary Heritage program
and the creation of the Oral
Archive, Photographic Archive
was created, as well as the
Topography of Memory program.
This work has produced various
results: educational material,
diffusion materials, training
workshops and conferences about
the recent history, and visible
progress in the public agenda.
These actions contributed to
position in the debate key themes
for the work of memory: the
archives and access to them,
public use of places that are
emblematic for their use during
the illegal repression, and
the fundamental dilemmas that
will arise when it comes time
to design a museum.